If subversion is a reversal, subversive action is a preparatory action for decisive movement. Méryll Ampe’s music is oriented by this intention, this preparation for revolutionary will, for the constructive-positive outcome of a liberation towards the ambient rot. Méryll Ampe is a subversive agent. His practice, in its parasitings, and its sonic effluences, in its abrasive arrhythmias, succeeds in intertwining compositions and spontaneities. He is a total process of existence and liberty. In opposition, in deflagration, his works are structured with exploitables incidents so as to emerge like a specific totality of subversion. And if this listening some stay stuck in a panic state of disintegration, illogic, or derisory - a reprobate logic -, others will see in it a rallying of the beautiful-souls. A safeguard, an invocation of fundamental uprisings, of revolutions of each instant, be they within us or at the heart of idealisations. There, we will be agitated, convinced, taken, far from the tragedies and demoralisations. The incoherences and discordances at the heart of free noise and rage will be our contagion against the weaknesses of experimental music in the image of a sclerotic society. Listening to Méryll Ampe’s music is that decisive moment where subversion becomes revolution.